top of page

2016-2017

Melissa Pasut    Andrew Leslie Hooker  Rachel Sweeney

​

​

Research and Development funded by the Arts Council of Wales

The Capstone Theatre

Liverpool

Monday October 24th

7.30 pm

OhFatherOhKing (ThouArtBlackerThanTheBlackestEverBlack)

​

In light of the recent ascent of European Neo-Nazism and the Paris terror attacks, this piece explores the ecstatic nature of intimidation through a 20th century scrying glass reflecting intimate and terrifying visions of political, religious, social and cultural tyranny relentlessly visited upon the fundamentally anarchic experience of being itself.

Abstraction#1

(For Maria Chavez)

A brief electroacoustic interlude of conceptual turntablism

Love Me

(Dedicated to Elvis Aaron Presley)

 

A butoh-inspired duet exploring themes of obsession, lust, loneliness and guilt based ostensibly upon the relationship between mid-20th century rock and roll stars and their fans, this piece seeks to question the spiritual crisis that critic Greil Marcus puts forward as being a fundamental element of the Elvis phenomenon…the still-birth of his twin brother Jesse.

Photo by Peter Griffiths 2016

Collaborations in butoh direction and choreography: Sayoko Onishi

  • Facebook Social Icon
bottom of page